Articles
Aby Warburg, Between Kant and Boas: From Aesthetics to the Anthropology of Images
Claude Imbert
Translated from French and annotated by Nima Bassiri, with Michael Alla
In lieu of an abstract, here is a brief excerpt of the content:
From 1927 to 1929, Aby Warburg dedicated himself to his
final project, Mnemosyne, an atlas of images. If we look at it today,
Mnemosyne basically remains the accumulation of an archive of
folders, an introductory presentation that Warburg delivered at the
Hertziana library in 1929, and a surprising mosaic of nearly seventy black fabric screens on which are arranged, in configurations
that Warburg recast several times over again, simple photographs
of a relatively modest size––about a thousand of them in all.
Some of these are reproductions of works already catalogued by
the history of art: paintings, engravings, sculptures, monuments,
and drawings, either from Antiquity or the Renaissance. Others are
snapshots taken from daily life and newspapers, whose newly
established context in the atlas tears them away from their former
sense as an everyday fact, document or civil event. Among them,
even photographs of stamps or advertisements can be found. At the
time, Warburg's collection surprised its public, who harbored more
doubt than enthusiasm. The title and sub-title (i.e. Mnemosyne, "an
atlas in images'' or "a picture atlas") form a double paradox:
Cartography is supposed to deal with orientation and migration rather than representation, and Mnemosyne evoked something
wholly other than the aesthetic education of taste.
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The Bernheim Effect (Fragments of a Theory of Generalized Artifact)
Mikkel Borch-Jacobsen
In lieu of an abstract, here is a brief excerpt of the content:
“I define suggestion in the broadest sense: the act by which an idea
is introduced into the brain and accepted by it.”––Hippolyte Bernheim
Here is the paradox of suggestion: How can you induce
someone to become passive (suggestible) if this passivity requires
his prior acceptance? If he accepts, it is because he was already
willing. But if he was willing, can we say that he passively executed a suggestion?
Another way of formulating the problem: Is suggestion the act
of le suggestionneur ("the act by which an idea is introduced into
the brain ... "), or that of le suggestionné? (" . . . and accepted by
it")? Bernheim, in his writings, never manages to fully answer this
crucial question. Very often he decides in favor of le suggestionneur,
investing him with an exorbitant power of psychic manipulation.
According to this conception, eagerly spread by the gazettes of the
time, le suggestionneur (the hypnotist) literally takes over the other's
mind, he penetrates it ("rapes" it) and manipulates its machinery as
if le suggestionné (the hypnotized person) were an automaton:
"Sleep!" "Wake up!" "Hallucinate!" "Become anesthetic!” “Be cured!" "Forget!" "Remember!”
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Elsewheres: Radical Relativism and the Frontiers of Empire
José Rabasa
In lieu of an abstract, here is a brief excerpt of the content:
The tlacuilo who painted this page (fol. 46r) of the Codex
Telleriano-Remensis (ca. 1563) was responding to the demand,
"Tell me the story of how I conquered you." The missionaries asked
her not only to produce a book in iconic script describing the
feasts, ancient calendar, and pre-Columbian Mexican history, but
also to devise a pictorial vocabulary depicting the colonial order
and her subjection to it. The friars supervising the production of
this book were surprised, perhaps, when they realized that they
had requested a return of the gaze, a particularly brilliant instance
of the observer observed. This possibly explains why the project
was abandoned only a few pages later when the Dominican Fray
Pedro de los Rios took over the production of the book; the aesthetically pleasing and informative use of color and iconic script
were supplanted by boxes enclosing the names of the years written
in a shoddy calligraphy.
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Disaster as a Place of Morality: The Sovereign, the Humanitarian, and the Terrorist
Adi Ophir
In lieu of an abstract, here is a brief excerpt of the content:
The Social Existence of the Moral
Imagine morality as a domain or a social sphere with stakes,
concerns, and interests of its own. The stakes would be the distress,
humiliation, suffering, and, more generally, the mal-being of others, the concern would be how to reduce them, and the interest –– the wellbeing of others. Interest and concerns do not necessarily
express inner motivation, but the logic of a specific field of action,
whose raison d'être is the ongoing presence of others in distress,
their unbearable suffering and humiliation, and the obligation to
reduce their mal-being. The pursuit of ideals or regulative ideas like
liberty, justice, and equality would be judged according to their
contribution to and impact upon the mal-being of all men and
women, or even of all sentient beings. "Moral values" would be
nothing but discursive devices employed by teachers, parents, or
politicians in attempts to regulate behavior, and their value would
be evaluated in the same vein. Indifference to the suffering of sentient beings would demarcate the moral domain from the outside,
in the same way that indifference to error, deception, and illusion demarcates the limits of science, and indifference to appearances
marks the limits of the visual arts. By crossing the threshold of such
indifference, one can be "within the moral" without necessarily
behaving morally or being correct in one's moral judgments, in the
same way that one can be within "the game of truth" and still hold
false ideas and incredulous beliefs.
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Retooling Democracy and Feminism in the Service of the New Empire
Saba Mahmood
In lieu of an abstract, here is a brief excerpt of the content:
While the war on Iraq has been raging with no end in sight,
the European and American press has been having a heyday reporting on the atrocities Islam commits daily against women deemed
unfortunate enough to have been born into its fold. Hardly a week
goes by without one of the major dailies running a story on the latest affront, if not act of violence, Islam has committed yet again
against the collectivity of Muslim womanhood. Since the events of
September 11, 2001, the Euro-American publishing industry has
produced a series of best-sellers that tell harrowing tales of Muslim
(and at times non-Muslim) women's survival under misogynist cultural practices that are supposed to characterize most, if not all,
Islamic societies. These autobiographical accounts help secure the
popular judgment, now issued unequivocally from progressives,
liberals, and conservatives alike, that Islam must reform. In this
judgment, Islam's mistreatment of women serves both as a site for
the diagnosis of the ills that haunt this faith and a strategic point of
intervention for its restructuration. If the path to such a reformation
is unclear, its promise is not: Nothing short of "democracy" lies
waiting in the wings if recalcitrant Muslims can be made to see the
light.
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Frederick Douglass' Differing Opinions on the Pro-Slavery Character of the American Union
Kelvin C. Black
In lieu of an abstract, here is a brief excerpt of the content:
Frederick Douglass, man of letters, abolitionist, and former slave,
did not initially believe in the American Union's capability to
emancipate the Africans it had enslaved. For the first ten years of
his public career in the anti-slavery movement, Douglass was a
practitioner of William Lloyd Garrison's anti-slavery philosophy, a
philosophy which argued that the American Union was tragically
flawed, and that the institution of slavery was the undeniable proof
of it. Although Douglass did, in fact, publicly change his opinion
on the Union's emancipatory capability, I believe that his initial
reservations about the Union are just as profound as his subsequent
confidence in it. A study of both positions is in order for those seeking to better understand the integrity of United States democracy.
In his essay "Declarations of Independence," Jacques Derrida
offers us a brief but shrewd deconstructive critique of the American
Union's foundational declaration of its freedoms. Among other
things, Derrida presents for our consideration the fact that there is
always a pragmatic gap between the speech act of declarations of freedom and their actual performance. Serving both as the space
of national critique and the uncanny space of potential national
perfection, this pragmatic gap, I shall argue, provides the very basis
for Frederick Douglass' differing positions on the question of the
pro-slavery character of the American Union.
Read now at Duke University Press
Cover: An image of the Codex Telleriano-Remensis, which appears in the article by José Rabasa; courtesy of the Bibliothèque nationale de France.
Volume 16.1 is available at Duke University Press and JSTOR. Qui Parle is edited by an independent group of graduate students at the University of California, Berkeley and published by Duke University Press.